MS. D'Orville 158
Summary Catalogue no.: 17036
Former shelfmark: Auct. X. 1. 5. 11
Horace, glossed in Latin and Old High German, with texts on logic, music and mathematics; Flanders (?) or Germany (?), 11th century, second half
Contents
Language(s): Latin
13 lines only; contemporary addition
A transcription by Iwakuma Yukio is available at https://www.s.fpu.ac.jp/iwakuma/TrMss/OxfordD'Orville158Tr1.html
Contemporary addition.
Contemporary addition.
A transcription by Iwakuma Yukio is available at https://www.s.fpu.ac.jp/iwakuma/TrMss/OxfordD'Orville158Tr1.html
Contemporary addition.
Contemporary addition; both printed in M. Gerbert, Scriptores ... de musica, II (1784),149-150
A transcription by Iwakuma Yukio is available at https://www.s.fpu.ac.jp/iwakuma/TrMss/OxfordD'Orville158Tr2.html; described there as "treatise on loci, heavily dependent on inCicTop, partly on DT."
Contemporary addition.
With marginal gloss, extensive in places.
Ed. G. A. Hueckel, 'Les poèmes satiriques d'Adalbéron', in Mélanges d'histoire du Moyen Âge (1901). It is not clear if this piece should be considered as a contemporary addition or as integral with the Horace.
Also in MS. Lyell 57, fol. 6r.
Contemporary addition.
A transcription by Iwakuma Yukio is available at https://www.s.fpu.ac.jp/iwakuma/TrMss/OxfordD'Orville158f.122r.html.
Contemporary addition.
Contemporary addition.
Contemporary addition.
Extensive contemporary marginal and interlinear glossing and scholia for the Horace, in Latin; five glosses in Old High German (fols. 6v, 8v, 51r, 70v interlinear, fol. 80r marginal as part of a Latin gloss.
14th-century (e.g. fols. 119v) and 15th-century annotations in several hands, of Italian appearance, in Latin and (e.g. fol. 39v) Greek.
Physical Description
Collation
Layout
Typically 29 long lines; ruled space for main text c. 150 × 95 mm. , double vertical bounding lines, with a wide margin (c. 30 mm.) to accommodate gloss.
Hand(s)
Caroline minuscule by more than one hand.
Decoration
Initial, fol. 43r, mermaid (horse's (?) neck with human face joined to a fish's tail) (Pächt and Alexander i. 267, pl. XVIII).
Logical diagram, fol. 116v.
Sketches, 15th(?) century, fol. 39v.
Binding
Plain parchment over pasteboards, 18th century.
History
Provenance and Acquisition
The manuscript has been variously localized. Pacht and Alexander, perhaps on art-historical grounds (based on the initial, fol. 43r) suggested the Mosan, and were followed by Hunt, Gibson (1982, 'probably from the region of Liege'), and Munk Olsen. For the suggestion of Laon (perhaps based on the text by Adalbaron of Laon) see refences cited by K. Siewert, Die althochdeutsche Horazglossierung (1986) at 333 n. 3012. The dialect of the German glosses has been variously described (see BStK) as 'mitteldeutsch', 'westmitteldeutsch', 'oberdeutsch', 'alemannisch'. Features of the script (notably /us/ ligature, 'h' shaped /z/, /a/ and /i/ in ligature below the line) are suggestive of an origin in southern Germany.
In Italy probably by the 14th century, as indicated by annotations; Hunt compared the hand of later humanistic annotations to that of Janus Parrhasius (-1522).
Jacques Phillippe D'Orville of Amsterdam (1690–1751); acquired by him in Italy (see MS. D'Orville 302).
Jean D'Orville, b. 1734, his son, by descent.
Jean D'Orville, son of Jean, by descent.
Sold to the Rev. John Cleaver Banks (1765/6–1845): purchased from him by the Bodleian.
Acquired by the Bodleian in 1804. Previous shelfmark Auct. X. 1. 3. 18.
Record Sources
Digital Images
Digital Bodleian (full digital facsimile)
Bibliography
Online resources:
Selected printed descriptions and studies:
Abbreviations
View list of abbreviations and editorial conventions.
Last Substantive Revision
2022-08: Description revised for publication on Digital Bodleian.