A catalogue of Western manuscripts at the Bodleian Libraries and selected Oxford colleges

MS. Douce 29

Summary Catalogue no.: 21603

Book of Hours, Use of Rome ('The Hours of Eleanora Gonzaga'); Italy, Rome, 1509 × 1538 (before 1527 (?) or c. 1535-7 (?))

Contents

Book of Hours, Use of Rome

Office of the Virgin (fol. I) and Mass of the Virgin (fol. LVI)

Penitential Psalms (fol. LXV) with litany (fol. LXIX) and prayers (fol. LXXIIII)

Office of the dead (fol. LXXVI v)

Office of the passion (fol. CX: Regem Christum crucifixum)

Office of the Holy Spirit (fol. CXXXII).

Language(s): Latin

Physical Description

Form: codex
Support: parchment
Extent: iv + 137 + iii leaves
Dimensions (binding): 6 × 3.875 in.
Dimensions (leaf): 143 × 86 mm.
Dimensions (written): 95 × 47 mm.
Foliation: i-iv (in modern pencil), I-CXXXVI (original foliation, in gold), 137-140 (modern pencil)

Layout

20 long lines

Hand(s)

Humanistic cursive, attributed by Alfred Fairbank (1974) to Lodovico Arrighi (d. 1527?), papal scriptor.

Decoration

Attributed by Otto Pächt (1948) to Vincenzo Raimondi (Raymond of Lodève, documented working in Rome for the papacy from c. 1513 to 1549). (cf. Pächt and Alexander ii. 1006, pl. LXXXII)

Twenty-six full-page miniatures arranged in typological pairs

  • Fols. iii v - iv r: arms and illuminated ex libris of Eleonora Gonzaga (see Provenance)
  • Matins (fol. iv verso - fol. I r): Moses and the Tablets; Annunciation
  • Lauds (fol. XIIII v - XV r): Anna and Joachim at the Golden Gate; Visitation
  • Prime (fol. XXIII v - XXIIII r): Birth of St John the Baptist; Nativity of Christ
  • Terce (fol. XXVII v - XXVIII r): Jacob's Dream; Annunciation to the Shepherds
  • Sext (fol. XXXI v - XXXII r): Solomon and the Queen of Sheba; Adoration of the Magi
  • None (fols. XXXV v - XXXVI r): Presentation of Samuel in the Temple; Presentation of Christ in the Temple
  • Vespers (fols. XXXIX v - XL r): Crossing of the Red Sea; Flight into Egypt
  • Compline (fols. XLV v - XLVI r): Solomon's Dream; Christ Teaching in the Temple
  • Mass of the Virgin (fols. LV v - LVI r): Israelites Gathering Manna; Last Supper
  • Penitential Psalms (fols. LX v - LXI r): Destruction of Sodom and Gomorrah; David Praying
  • Office of the Dead (fol. LXXVI v - LXXVII r): Expulsion from Paradise; Entombment
  • Office of the Passion, Matins (fol. CX v - CXI r): Christ Bearing the Cross; Sacrifice of Isaac
  • Office of the Holy Spirit (fol. CXXXI v - CXXXII r): Sacrifice of Elijah; Pentecost

All miniatures with borders, many with still-life motifs (fish, birds, etc.), many also with four historiated roundels on each page of an opening.

Initials.

Binding

Red velvet with enamelled clasps, one lost (18th cent.?).

History

Origin: 1509 × 1538 (before 1527 (?) or c. 1535-7 (?)) ; Italy, Rome

Provenance and Acquisition

On fol.iiiv are the arms of the Della Rovere, dukes of Urbino, impaling those of the Gonzaga; fol.iv, illuminated ex libris of Eleonora Gonzaga: ‘LEONORE GONZAGE URBINI DUCI’. Francceso Maria I, duke of Urbino (d. 1538) married Eleanora Gonzaga in 1509. The proposed date 'before 1527' relies on the presumed death of the scribe Lodovico Arrighi in that year; Maria Saffiotti Dale, in Dizionario biografico dei miniatori italiani, edited Milvia Bollati (Milan, 2004), 900-1, suggests c. 1535-7 as more plausible stylistically.

'Purchas'd in Italy by Henrietta Louisa countess of Pomfret' (d. 1761) (note by Douce, fol. ii r)

Francis Douce, 1757–1834

Bequeathed to the Bodleian in 1834

Record Sources

Description adapted (December 2024) from the following sources, with additional reference to published literature as cited.
The Douce Legacy [exh. cat.] (1984), cat. 84
Otto Pächt and J. J. G. Alexander, Illuminated Manuscripts in the Bodleian Library Oxford, II (1970), no. 1006
S. J. P. van Dijk, Latin Liturgical Manuscripts in the Bodleian Library, Oxford, vol. 4: Books of Hours (typescript, 1957), p. 269
Summary Catalogue (1897)

Availability

To ensure its preservation, access to this item is restricted, and readers are asked to work from reproductions and published descriptions as far as possible. If you wish to apply to see the original, please click the request button above. When your request is received, you will be asked to contact the relevant curator outlining the subject of your research, the importance of this item to that research, and the resources you have already consulted.

Digital Images

Digital Bodleian (full digital facsimile)
Digital Bodleian (28 images from 35mm slides)

Bibliography

    Printed descriptions:

    The Painted Page: Italian Renaissance Book Illumination 1450-1550 [exh. cat.] (1995), cat. 130
    A. Fairbank, 'Another Arrighi manuscript', The Book Collector 23 (1974), 551-2
    Otto Pächt, Italian Illuminated Manuscripts [exh. cat.] (1948), no. 76

Last Substantive Revision

2024-12: Description revised for publication on Digital Bodleian.