MS. Lat. liturg. f. 22
Summary Catalogue no.: Not in SC (late accession)
Portable Secular Psalter with Antiphons in Latin (pastedowns, Netherlandish); Northern Netherlands, 15th century, second half
Contents
Fols. ia and ii–v are blank paper fly-leaves; fols. i and 201, originally pastedowns, are made from a 15th-century (?) document in Netherlandish on parchment, containing apparently business records, mentioning ‘koninc’ (fol. i recto, l. 14), and a date (?) in the last line of fol. 201v: ‘[ ...]ent sestich op sunt (?) val[ ... ...]s dach [ ...]’.
Psalms 1–150, written as prose, with titles ‘psalmus’, without numbers. Punctuated throughout, with colon used to mark metrum and punctus used to mark minor pauses. Psalms are in the biblical order; subdivisions within psalms are not indicated, apart from psalm 118, subdivided into twenty-two 8-verse units.
The psalms are accompanied by antiphons, versicles, invitatoria, cues for hymns, etc. with rubrics referring to the secular use.
Hymn ‘Consors paterni luminis lux’ (Chevalier, no. 3830) is written out in full after psalm 25 (fol. 27r).
There are textual divisions at the beginning of psalms appointed first for Matins during the week in the secular use (1, 26, 38, 52, 68, 80, 97), ‘three fifties’ (51 and 101), psalms appointed first for the second and third Nocturns (15 and 18), Prime (21), Terce (118: 33), Sext (118: 81), None (118: 129) and Vespers on Monday, Thursday, Friday and Saturday in the secular use (114, 131, 137, 143) (see ‘Decoration’).
Prayers for the dead, with rubrics:
Devotion, consisting of eight prayers to Christ, each followed by cues for psalms:
Litany for the dead, with each invocation on fols. 177r–184r followed by a prayer:
Followed by collects (fols. 185v–187r):
Rosarium Beatae Mariae (‘Hic incipit rosarium beate marie’), beginning ‘Ave maria gratia plena ...’ and consisting of fifty short passages describing the life of Christ, each followed by ‘Ave maria’, the first beginning ‘Quem tu virgo sanctissima mente et corpore angelo nunciante ...’. The text is subdivided into five parts, each beginning with a 2-line initial, and ends with ‘O Maria semper aue Sertum hoc ne ducas graue ...’ with rubric ‘Oracio’.
Sequence ‘Ave preclara maris stella’ (Chevalier 2045) and response ‘Salue maria gemma pudicicie’.
Collects, antiphons, versicles and cues for psalms, canticles and hymns:
Fols. 196v–200v are partially ruled (bounding lines only), otherwise blank.
Physical Description
Collation
Layout
Ruled in brown ink with single vertical and double horizontal bounding lines, extending the full height and width of page; 18 lines per page; prickings survive; written below the top line; written space: c. 95 × 65 mm.
Hand(s)
Formal Gothic book hand, black ink
Decoration
Red or blue initials with contrasting purple or red penwork, green and yellow wash, and gold at textual divisions: seven lines high at psalm 1 (fol. 1r); five or six lines high at psalms 26 (fol. 27v), 38 (fol. 44r), 52 (59v), 68 (fol. 75v), 80 (fol. 95r), 97 (fol. 113r), 109 (132r), the beginning of prayers (fol. 173r) and Rosarium Beatae Mariae (fol. 187r); and four lines high at psalms 51 (fol. 59r) and 101 (fol. 115r).
3-line similar initials at the beginning of psalms 15 (13r), 18 (fol. 18v), 21, (fol. 21v), 114 (fol. 135v), 118: 33 (fol. 140v), 118: 81 (fol. 143v), 118: 129 (146v), 131 (fol. 154v), 137 (fol. 159v) and 143 (fol. 165r).
2-line plain red initials at the beginnings of psalms and prayers.
1-line plain initials, alternating red and blue on fol. 1r, and red elsewhere, at the beginnings of verses and periods.
Rubrics in red ink.
Binding
15th-century (?) (original (?)) Dutch binding, brown leather over boards with criss-cross design of double blind fillet lines and stamps in the form of five-petalled stylized daisies and quatrefoil leaves. Sewn on four slit bands, four raised bands on spine. 19th-century (?) paper label on spine inscribed ‘BREVIARIUM AN[ ...] || MSS.’. Holes left by the fittings of two clasps on both covers, fastening from bottom to top. Former pastedowns (fols. i and 201) made from a parchment document.
History
Provenance and Acquisition
Made in northern Netherlands: evidence of decoration.
Given by G. R. Driver, 1930
Record Sources
Digital Images
Digital Bodleian (1 image from 35mm slides)
Bibliography
Printed descriptions:
Abbreviations
View list of abbreviations and editorial conventions.
Last Substantive Revision
2024-08: Convert full description from Solopova catalogue.