MS. Laud Misc. 188
Summary Catalogue no.: 1039
Contents
Office of the Virgin with the Hours of the Cross worked in; Advent (fol. 1), Christmastide (fol. 73) and during the year (fol. 143v); Gradual (fol. 208) and Penitential (fol. 221) psalms with litany (fol. 235); office of the dead (fol. 246v) solom del ordre de frères augustines; rubrics throughout in French.
A leaf missing after fol. 246, some quires are contemporary additions (fols. 41–8, 65–72, etc.)
Physical Description
Layout
14 lines
Decoration
Pächt and Alexander distinguish three artists (1) quires 1–5, 11, 13, 29–30; (2) quires 6, 9; (3) quires 7–8, 10, 12, 14–28, 31–8. Sandler (1986, no. 149) distinguishes four artists and associated decorators: (1) fols. 1, 73, 143v, 1–32v; (2) fol. 21; (3) fol. 35; (4) fol. 41, fols. 41–48v, 65–72v). Stylistically related (see Sandler) to the Bohun manuscripts, the Carmelite Missal (Master B), and the Litlyngton Missal.
Minature, fol. 1: a young lady dressed in ermine and with a crown, kneeling before the Virgin and Child
Historiated initials on fols. 21, 35, 41, 46v, 73, 143v
Decorated initials and marginal decoration throughout, large initials and borders at the beginning of each Hour.
Borders at the beginning of each Hour.
Binding
English, mid-16th century, gilt ornament.
Rebacked.
History
Provenance and Acquisition
In the litany the usual prayer for the pope has the words ‘famulo tuo rege nostro’
John, Lord Lumley (d. 1609) (?): ‘Lumley’, end flyleaf.
William Laud, 1633.
Part of his first donation to the Bodleian Library, sent 22 May 1635.
Record Sources
Digital Images
Digital Bodleian (full digital facsimile)
Digital Bodleian (8 images from 35mm slides)
Bibliography
Printed descriptions:
Abbreviations
View list of abbreviations and editorial conventions.
Last Substantive Revision
2019-10-22: Description revised for publication on Digital Bodleian