MS. Laud Misc. 222
Summary Catalogue no.: 957
Composite: A Goswinus de Bossuto, Vita Arnulfi conversi; Germany, 13th century, second quarter. B Echardus Magister, Opus Tripartitum (parts); Germany, 14th century. C Serapion the Elder, Practica; France (?), 13th century, second half
Physical Description
Binding
Laudian binding. Sewn on five bands and bound in plain brown leather over pasteboards, each cover framed by a double blind fillet and with the gilt arms of Archbishop Laud in the centre; with traces of ties. The head of the spine with a paper label inscribed ‘Glossa super Genesin | &c. | M. S.’, above two printed paper Bodleian labels, ‘Laud. | E 3[4].’ and ‘Laud | 222’. The upper edges of the leaves are inscribed with a medieval(?) title (?) or ex libris (?).
History
Provenance and Acquisition
The whole volume together by at least 1502, when identifiable as h9 in the catalogue of the Cistercian abbey of Eberbach (Nigel F. Palmer, Zisterzienser und ihre Bücher: die mittelalterliche Bibliotheksgeschichte von Kloster Eberbach im Rheingau (Regensburg, 1998), p. 274).
William Laud, 1573–1645, 1637.
Part of his third donation to the Bodleian, 1639.
MS. Laud Misc. 222 – Part A (fols. 1–28)
Contents
Preface
Book II begins on fol. 11r; each book is preceded by a capitula list. Arnulf’s death in 1228 is recorded at fol. 28r, line 13.
Verses
BHL, no. 713; Acta Sanctorum, Junii, V (Antwerp 1709), pp. 608C–631E. Here incomplete, missing the final epitaph, which is an additional 36 lines in the printed edition; translated into English by Martin Cawley in Goswin of Bossut, Send me God: The lives of Ida the compassionate of Nivelles, nun of La Ramée, Arnulf, lay brother of Villers, and Abundus, monk of Villers (Turnhout 2003), 125–208.
Physical Description
Collation
Layout
Ruled in plummet for 31 lines written above top line. Ruled space 185–90 × 115–20 mm.
Hand(s)
Gothic bookhand; capitals stroked in red
Decoration
Initials in red with leafy and other ornament, mostly 3 lines high, sometimes extending along much of the height of the margin. According to Palmer, p. 290, by the same hand as the initials in MS. Laud Misc. 287 and London, BL, Arundel MS. 245.
History
Provenance
'Probably' written at Eberbach according to Palmer, p. 290.
MS. Laud Misc. 222 – Part B (fols. 29–103)
Contents
Language(s): Latin
Prologue
Tabula
Index
Pen-trials below include ‘Qui scripsit hoc sit benedictus a deo suo Amen.’
Physical Description
Collation
Layout
Ruled in ink for 2 columns of 40 lines, generally written below top line but occasionlly above and sometimes with three lines of text below the ruled area. Ruled space 170–5 × 110–5 mm. with c. 15 mm. between columns.
Hand(s)
Gothic bookhand
Decoration
One initial in plain red.
Spaces left for others.
History
MS. Laud Misc. 222 – Part C (fols. 104–235)
Contents
Ends imperfect due to loss of leaves.
Frequent near-contemporary marginalia by more than one reader, sometimes extensive; sometimes referring to Galen, e.g. ‘Nota autem .G. in libro de ciriaca …’ (fol. 114v). Other marginal additions include chapter numbers in Arabic numerals.
Physical Description
Collation
Layout
Ruled in plummet for 2 columns of 47 lines written below top line. Ruled space 185 × 120 mm. with c. 10 mm. between columns.
Hand(s)
Gothic bookhand, with a distinct change of ink and introduction of a more cursive looped ‘d’ for most of fol. 133v
Decoration
Large puzzle initials in red and blue with flourishing in both colours introduce the beginnings of treatises II–VII (fols. 118v, 137r, 150v, 172r, 191r, 198v), ; most initials alternately red or blue, with flourishing in the other colour; those on the first page (fol. 104r) apparently left blank and supplied later in cruder style, in plain red or brown and red.
History
Additional Information
Record Sources
Digital Images
Digital Bodleian (full digital facsimile)
Digital Bodleian (1 image from 35mm slides)
Bibliography
Online resources:
Printed descriptions:
Abbreviations
View list of abbreviations and editorial conventions.
Last Substantive Revision
2021-03-29: Description fully revised for Polonsky German digitization project.