MS. Laud Misc. 509
Summary Catalogue no.: 942
The Old English Heptateuch, with Ælfric's letter to Wulfgeat and Libellus de veteri testamento et nouo. s. xi2
Contents
Language(s): Old English
(Cameron B.1.8.6)
(Cameron B.1.8.4)
Physical Description
Fols iv + 141+ ii.
Collation
Layout
Pricked and ruled for 29 lines on fols 1-33 and 26 lines on fols 34-141. Double bounding lines on the flesh side and in dry point. Outer marginal pricking to guide ruling 6 mm apart.
Hand(s)
Mainly in one hand. A second hand wrote fol. 15/8-21 and fol. 15v/1-10 and a third wrote fol. 17/11-23.
Fols 1–141, except fols 15r/8–21, 15v/1–10 and 17r/11–23: A small and regular rounded hand. ‘e’: open-headed ‘s’ low or long ‘s’ used. The long ‘s’ is used initially and medial, and has a broken shaft made in two strokes. The descender curves to the left. ‘ð’ has a long upstroke tagged to the left at the top, the cross-stroke not transecting the upstroke. ‘d’: a small round back with a short tapered ascender curved to the right. Wedged ‘ascenders’. Tapered ‘descenders’ to the left. . Also wrote British Library MS. Cotton Vespasian D. xxi, fols 18-40. s. xi2
Fols 15r/8–21, 15v/1–10: Another small and regular rounded hand, very similar to the main hand. ‘s’ short or long ‘s’ used. The long ‘s’ is used initially and medially, and the descender curves to the left. Short ‘s’ with a hook-like ascender, stopping on the writing line. ‘ð’ has a long upstroke occasionally tagged to the left at the top, occasionally it curves to the right. ‘d’: a small round back with a short tappered ascender curved to the right. Wedged ‘ascenders’. ‘descenders’ curving to the left with a serif. s. xi2
Fol. 17r/11–23 A fairly large rounded hand. ‘ð’ has a long upstroke tapered and curved to the right at the top. ‘d’: a small round back with a short ascender curved to the left. Long ‘s’ with a flat foot. Wedged ‘ascenders’. Tapered ‘descenders’, which turn to the left. s. xi2
Decoration
Plain green, red, purple initials with occasional decorations in green, fol. 65v. Black initials are also used (fol. 56). Red titles by the main hand. Titles are in red in the script and hand of the text, although the shade of red seems different, for instance on fol. 65v (Ker 1957, p. 424).
William L'Isle (see Provenance) corrected the manuscript from Claudius B. iv. He also annotated the manuscript, noting a misbound leaf, fol. 133, supplying catchwords on fols 132v and 133v, and numbered chapters and verses of Genesis up to fol. 12v (Doane 2002, p. 74). Modern signatures B, C, D, E, F are visible on the first recto of Quires 2, 3, 4 and 5. Others can still be visible after the trimming by the binder on Quires 10 and 11. A table of content, s. xvi, had been bounded upside down.
Binding
Leather binding of s. xvii1 bearing Laud's arms. The front and back covers have become detached (Doane 2002, p. 74). Graham suggests that the fragments of pasteboard stuck to the verso of fol. iv indicate that it served as a pastedown in the Cottonian binding. He argues that L'Isle removed Cotton's binding and had it rebound, retaining the Cottonian endleaves but turning them over and around in the process (2000, p. 293).
History
Provenance and Acquisition
"M. R. James tentatively attributed a twelfth-century hand repsonsible for some of the Latin material ... to Christ Church, Canterbury, and this prompts speculation that the whole volume belonged to that house" (Marsden 2008, p. xxxv); not in MLGB3.
Henry VIII, Royal Library: in the 1542 catalogue of the old Royal Library, it was number 159 (fol. 2, top), and it is described as 'the pentatuik and saints Lyues'.
Robert Cotton (see Ker 1938, p. 132).
William Lisle, d. 1637. Cotton 'lent the part now at Oxford, 'Liber Genesis et pentatuchum Saxonice bound withe my arms and clapses in 4to' to 'Mr. Lyll of Cambrig' before 23rd of April 1621, as appears from the list of Cotton's loan of books in MS. Harley 6018, fol. 148v' (Ker 1957, p. 424).
William Laud, 1638. Ker notes: 'The dates of ownership and gift suggest that Laud obtained the manuscript from L'Isle (cf. Laud misc. 201, 381, 636)'.
Part of Laud's third donation to the Bodleian, 1639. Former Bodleian pressmark Laud E. 19' (Ker 1957, p. 424).
Record Sources
Digital Images
Digital Bodleian (full digital facsimile)
Digital Bodleian (7 images from 35mm slides)
Surrogates
Doane, Alger Nicolaus, Anglo-Saxon Manuscripts in Microfiche Facsimile, Medieval & Renaissance Texts & Studies (Tempe, AZ: Arizona Center for Medieval and Renaissance Studies, 2002), vol. 7: Anglo-Saxon Bibles and "The Book of Cerne"
Bibliography
Online resources:
Print:
Abbreviations
View list of abbreviations and editorial conventions.
Last Substantive Revision
2025-04-22: Sebastian Dows-Miller. Corrected typo in dimensions type.