MS. Laud Misc. 520
Summary Catalogue no.: 1194
Contents
The prologue ends at fol. 1v, col. 2, line 14 from the bottom; the text continues without break.
Stegmüller, Bibl. 7899 cites the present manuscript as containing a commentary on Matthew by (Ps.-?) Stephen Langton. That text seems to be the same as Stegmüller, Bibl. 2604, attributed to Geoffrey Babio. This is the commentary printed in PL 162.1228–1500 (there attributed to Anselm of Laon), and most usefully discussed by B. Smalley, 'Some Gospel Commentaries of the Early Twelfth Century', Recherches de théologie ancienne et médiévale 45 (1978), 147–180, esp. 166–70.
It seems that Stegmüller's identification is incorrect, and that the text in the present manuscript is an earlier commentary (on which 'Babio' drew heavily) also found in Alençon BM 26 fols. 91ra-198vb and Paris, Bibliothèque de l'Arsenal, MS. 87 fols. 1ra-59vb, and discussed by Smalley, op. cit., pp. 161–6. This text is recorded in Stegmüller, Bibl. as no. 1359, but with an explicit that does not reflect the text as found in the manuscripts listed above.
A few lemmata start on a new line with an enlarged initial, e.g. Matt. 1:18 (‘Cum esset desponsata’, fol. 5r) and 2:1 (‘Cum natus esset Ihesus’, fol. 6r); others have somewhat enlarged initials and/or paraphs. Church Fathers mentioned in the main text are often noted in the margins: ‘Aug.’/‘Au’, ‘B’/’Be.’, ‘Gr.’, ‘Hy’, ‘Io.’, ‘Or.’, especially from fol. 19v onward.
Physical Description
Collation
Layout
Ruled in plummet for 2 columns of 46 lines; prickings often survive close to the written area in all three outer margins. Written above top line. Ruled space 175 × 120–5 mm.
Hand(s)
Written in a small, cramped, often highly-abbreviated, angular script, with a somewhat cursive aspect, reminiscent of a charter hand. Some passages are in distinctly different scripts, closer to a formal bookhand, e.g. fol. 24r, near the middle of col. 2, and fol. 35r, most of col. 2.
Decoration
None
Binding
Sewn on three bands, with three(?) other earlier sewing-stations in limp undecorated parchment, with vestiges of ties at the fore-edge. The top of the spine inscribed ‘Anon: | Glossa | super | Euang: | S. Mat: | M. S.’, above printed paper labels: ‘Laud. | G. | 29.’ and ‘Laud | 520’.
History
Provenance and Acquisition
Script attributed to Germany by R. W. Hunt in the revised Quarto catalogue, 1969.
A 14th-century reader added a small number of marginalia, including a few headings e.g. ‘Glossa super textum Mathei’ (fol. 1r), and ‘Ductus est Ihesus in desertum’ (fol. 10v).
Medieval provenance unknown; Hunt, in the revised Quarto catalogue, p. xxiv, suggested this was one of the volumes acquired for Archbishop Laud in Germany. It is not identifiable in the catalogues of the Mainz Carthusians or the Cistercian abbey of Eberbach.
William Laud: with the usual Laudian inscription, dated 1638 (fol. ii verso, there not being enough space in the lower margin of fol. 1r).
Part of his third donation to the Bodleian, 28 June 1639. Former Bodleian shelfmarks: ‘Laud 520’ (next to ‘Laud 519’, effaced) and ‘G. 29’ (front pastedown; cf spine labels).
Record Sources
Digital Images
Digital Bodleian (full digital facsimile)
Bibliography
Abbreviations
View list of abbreviations and editorial conventions.
Last Substantive Revision
2020-03-17: Revised description for Polonsky German digitization project.