MS. Rawl. C. 940
Summary Catalogue no.: 12771
Portable Psalter; Flanders, Bruges–Ghent area, 13th century, second to third quarter
Contents
Fols. i–iii are blank paper fly-leaves; fol. iv verso is blank, apart from pen trials.
[item 1 occupies a parchment fly-leaf]
Prayers and antiphons, added early in the 16th century, in England (Abingdon (?), see ‘Provenance’), including:
[items 2–5 occupy quires I–XV]
(fols. 1–102v) Psalms, starting imperfectly at ‘Qui non abiit ...’ (1: 1), because of the loss of the first leaf. The text is fragmentary throughout, and some leaves are in the wrong order:
- – fol. 1 contains 1: 1–2: 11
- – fol. 2 contains 9B: 8–10: 5
- – fol. 3 contains 4: 8–5: 13
- – fol. 4 contains 8: 6–9A: 13
- – fols. 5–11 contain 10: 5–18: 10
- – fol. 12 contains a fragment of the Athanasian Creed: ‘...deos aut dominos dicere catholica religione ... non confusione substantie sed unitate personae ...’
- – fols. 13–44 contain 34: 17–67: 34
- – fol. 45 contains 68: 12–27 (fols. 45–48 and 46–47 are the first two bifolia from an 8-leaf quire, bound in the wrong order)
- – fol. 46 contains the end of 67 and 68: 1–12
- – fol. 47 contains 72: 26–73: 12
- – fol. 48 contains 72: 7–25
- – fols. 49–51 contain 73: 13–77: 1
- – fols. 52–53 contain 77: 35–77: 68
- – fols. 54–55 contain 77: 2–34
- – fol. 56 contains 77: 69–78: 11
- – fols. 57–72 contain 80: 1–96: 11
- – fols. 73–80 contain 104: 18–108: 18
- – fols. 81–84 contain 111: 2–117: 14
- – fols. 85–101 contain 118: 176–146: 17
- – fol. 102 contains 149: 3–150.
Weekly canticles, without titles:
- (1) Confitebor tibi domine (Isaiah 12);
- (2) Ego dixi (Isaiah 38: 10–21);
- (3) Exultauit cor meum (1 Samuel 2: 1–11);
- (4) Cantemus domino (Exodus 15: 1–20) ending imperfectly at ‘tua populo quem redemisti’ (verse 13), because of the loss of leaves after fol. 105;
- (5) Domine audiui (Habakkuk 3) beginning imperfectly at ‘... sunt montes seculi’ (verse 6);
- (6) Audite celi (Deuteronomy 32: 1–44).
Daily canticles, prayers and creeds, without titles:
- (1) Te deum laudamus (fol. 110v);
- (2) Benedicite omnia opera (fol. 111v);
- (3) Benedictus dominus deus (fol. 112v);
- (4) Magnificat (fol. 113r);
- (5) Nunc dimittis (fol. 113v);
- (6) Athanasian Creed (Quicumque uult ...) (fol. 114r); the misbound fol. 12 contains the middle section of the Creed.
Litany, closely resembling the litanies of psalters datable to the third quarter of the 13th century from the Bruges–Ghent region (published and compared with related litanies by Carlvant, 1978, pp. 118, 521–2). Includes saints venerated in the Bruges–Ghent area: Lambert, bishop of Liège, among the martyrs; Wandregisilus, Ansbertus, bishop of Rouen, Wulfran, Gudwalus, Bertulfus, Eligius, Donatianus, bishop of Reims, Basil, bishop and patron of the chapel of St Basil and the Holy Blood in Bruges, Amand, Vedast, Martin, Bavo of Ghent, Landoaldus of Maastricht, Macarius of Ghent, Bertin, Remigius and Trudo among the confessors; Amalberga, Landrada and Vinciana among the virgins. Relics of Wandregisilus, Ansbertus, Wulfram, Gudwald, Bertulf and Amalberga were in the Benedictine Abbey of St Peter, Ghent. Relics of Bavo, Landoaldus, Macarius, Landrada and Vinciana were in the Benedictine Abbey of St Bavo, Ghent (see Carlvant, 1978, pp. 120–2). The litany is followed by collects (fols. 117v–118r):
- (1) Et ueniat super nos misericordia tua domine salutate tuum secundum eloquium tuum ...
- (2) Assit nobis domine quesumus uirtus spiritus sancti que et corda nostra ...
- (3) Ure igne sancti spiritus renes nostros ...
- (4) Concede misericors deus fragilitati nostre subsidium ...
- (5) Deus cui proprium est misereri semper et parcere ...
- (6) Absolue domine animas omnium fidelium defunctorum ...
Physical Description
Collation
Layout
Ruled in plummet with two sets of double vertical and two sets of double horizontal bounding lines, extending the full height and width of page; 20 lines per page; prickings are visible on some leaves; written below the top line; written space: c. 105 × 60 mm.
Hand(s)
Formal Gothic book hand, black ink.
Decoration
The illumination is related in style to Oxford, Bodleian Library MS. Liturg. 396 and other psalters from the Bruges–Ghent area, datable to the third quarter of the 13th century (Pächt and Alexander, 1966–73; Carlvant, 1978, pp. 90–3; 1986, pp. 88–9).
The Beatus-initial and four other initials (psalms 26, 97, 101 and 109) have been excised. Most initials are damaged, gold flaking. Historiated initials:
- fol. 18r Psalm 38 (initial (D(ixi)) 9-line initial in gold rectangular frame, infilled with a seated beardless apostle, holding a book, on gold background.
- fol. 31r Psalm 51 (initial Q(vid)) 10-line initial in gold rectangular frame, infilled with a seated beardless apostle, holding a book (damaged), on gold background; the tail of Q, extending to the lower margin, ends with a dragon’s head.
- fol. 31v Psalm 52 (initial D(ixit)) 9-line initial in gold rectangular frame, infilled with St Andrew, seated, holding a diagonal cross; gold background.
- fol. 46r Psalm 68 (initial (S(aluum)) 9-line initial in gold rectangular frame, infilled with a seated beardless apostle, holding a book; gold background (rubbed off); dragon’s head terminal on a tendril extending to the left margin.
- fol. 57r Psalm 80 (initial E(xultate)) 11-line initial in gold rectangular frame, infilled with a seated beardless apostle, holding a book; gold background.
3-line gold initials on blue and pink background at the beginnings of psalms, canticles and litany.
1-line alternating gold (edged with black) and blue initials at the beginnings of verses and periods.
Binding
Brown leather of suede-like texture over pasteboard, 18th century, first half. Double blind fillet lines around the outer edge of both covers. Rectangular panel at the centre of both covers, with floral corner-pieces and borders formed by fillet lines, arabesque and scallop designs. Five raised bands with faded arabesque designs, on spine. The bands are framed by triple fillet lines. Red leather label on spine with gold border and gilt lettering ‘MSS’. Scallop designs on turn-ins. Marbled paper pastedowns and flyleaves. A further set of two fly-leaves of laid paper, contemporary with the binding. Endbands, the top one mostly lost, of red and white thread.
History
Provenance and Acquisition
Made for the use of Ghent: evidence of litany. Similar in decoration, textual contents, liturgical and codicological features to psalters from the Bruges–Ghent area datable to the second half of the 13th century (Carlvant, 1978, pp. 90–3).
Abingdon, Berkshire, Benedictine abbey of St Mary the Virgin (?). John Crystall, monk of the Benedictine Abbey in Abingdon, England: ‘Hic liber pertinit ad Johannem Crystall monachum Abend’’ (fol. 118r), 16th century. John Crystall was at Abingdon Abbey by 1504, was pensioned at its dissolution in 1538, and was still in receipt of his pension in 1555–56 (see Emden, 1974, p. 156).
Prayers added early in the 16th century in Abingdon (?) on fol. iv recto.
‘John Chisholm’ and a faint drawing of a human face on fol. 65r, perhaps by the hand that added the psalm numbers in the margins (17th century (?)).
Richard Rawlinson (1690–1755), see ODNB: bookplate, upper pastedown.
Bodleian Library: bequeathed by Rawlinson; accessioned in 1756.
Record Sources
Bibliography
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Abbreviations
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Last Substantive Revision
2024-06: Encode full description from Solopova catalogue.